Showing posts with label center for sex and culture. Show all posts
Showing posts with label center for sex and culture. Show all posts

Monday, May 28, 2012

Coming Home: Day 28 -- when is it too late?


Today I want much more than my hands on myself, than the water between my legs, than some simple contractions. Today I want the soar of connection, of hands touching, of love in and through a body that didn't expect to do any more, ever, than just survive.

Today I am slippery in all the poems, I am drinking tea and not eating enough, the tears are all stain and open throat, the quiet is broken by the sad songs, the puppy I let myself love is curled into a small groaning ball. Today I am preparing for what has always been my vocation. Today I want to slip out from under the writer/watcher, the part that analyzes and is already crafting description of my every lived moment -- I want to breathe into an unwritten moment. I am writing now, will come later, and I will not tell you about it. Today's orgasm will be just for me. 

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Didn't we have to include this one during this month's ode to the love and struggle of masturbation?

The Ballad of the Lonely Masturbator

ANNE SEXTON
The end of the affair is always death.   
She’s my workshop. Slippery eye,   
out of the tribe of myself my breath   
finds you gone. I horrify
those who stand by. I am fed.   
At night, alone, I marry the bed.

Finger to finger, now she’s mine.   
She’s not too far. She’s my encounter.   
I beat her like a bell. I recline
in the bower where you used to mount her.   
You borrowed me on the flowered spread.   
At night, alone, I marry the bed.

Take for instance this night, my love,   
that every single couple puts together   
with a joint overturning, beneath, above,   
the abundant two on sponge and feather,   
kneeling and pushing, head to head.   
At night alone, I marry the bed.

I break out of my body this way,   
an annoying miracle. Could I   
put the dream market on display?   
I am spread out. I crucify.
My little plum is what you said.   
At night, alone, I marry the bed.

Then my black-eyed rival came.
The lady of water, rising on the beach,   
a piano at her fingertips, shame   
on her lips and a flute’s speech.
And I was the knock-kneed broom instead.   
At night, alone, I marry the bed.

She took you the way a woman takes   
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.   
Today’s paper says that you are wed.   
At night, alone, I marry the bed.

The boys and girls are one tonight.
They unbutton blouses. They unzip flies.   
They take off shoes. They turn off the light.   
The glimmering creatures are full of lies.
They are eating each other. They are overfed.   
At night, alone, I marry the bed.


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What does it look like to let go of hyper-vigilance, to release the energy that has been focused for twenty years on looking back over all my inside shoulders? What does it look like to have all of this one self present in this one moment, no fragments floating off to keep watch for any interlopers, any threat? What could it possibly mean that I am beginning to imagine such an embodiment, that, in my moments of meditation, I can feel the tremendous relief in my muscles, that I weep (it feels that heavy) with the ability to let my shoulders fall into right here, right now

What does it mean to know that I will still get hurt, whether or not I am hyper vigilant, whether or not I was on the lookout for the next assault, whether or not I thought I was protecting myself? What does it mean to breathe into that assurance, let it be just true: not a tragedy, just a human fact?

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I'm all questions and huge hope today, and I think this isn't so hot -- last night I dreamed about the Masturbate-a-thon: I logged in to the site just in time to see a gorgeous friend of mine saying, calling to Carol, that she'd just come. She had her clothes mostly on, a red dress to offset her pale skin and blonde hair, she'd been on her back and had her hands under the dress, the dress was wrinkled where it'd been pushed up around her hips. But when I get to the video stream, she's already pulled the dress back down, her face red and grinning, already re-composing into her public-performance persona. Later in the dream, I got to the Center for Sex and Culture just after the event was over. The room was filled with the energy of the just released, a few stains on the floor (the room was carpeted and in some industrial building, nowhere that the CSC has ever actually been housed during the years I've known about it.) I was disappointed to have worked up the courage to come out for the event and then have missed it, was a little electrified. I helped Carol and Robert with the last of the cleaning up -- 

What can I say about this dream? This line was in a poem I wrote in response to this weekend: too late to find / comfort enough in such small daily moments -- and I wrote, over and over, is it too late for me? I'm forty years old -- is it too late for this embodiment, this understanding and acceptance, this joy, this still-mourning. Is it too late to expect that I will wake up happy tomorrow morning, that my dreams can come so true that I will finally need new ones? Is it too late to take hold of my own hands and bless them? Is it too late to wake up?

I know -- it's a ridiculous question. We can say, reflexively, that it's never too late.


 And yet -- to feel it. To feel it.
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Come again tomorrow, ok? Only and always as you like it. See you then.



Sunday, May 27, 2012

Coming Home: Day 27 -- in such close proximity to my own organs.

This evening it all feels very far away -- the orgasms, my body, that strong and clear sense of embodiment. It could be I'm a bit drained, emptied out, the words flushed through me, just sitting inside the edges of my skin, waiting to ripen enough to emerge.

I had high hopes for today: after a workshop this afternoon, and dinner with four friends (two gorgeous adults, two gorgeous kids), I planned to go out dancing. But my eyes are heavy, and I haven't even posted this blog yet -- not to mention, there have been no orgasms yet today, on this the fifth-to-last-day of National Masturbation Month (and the day of the Masturbate-a-thon at the Center for Sex and Culture!) -- what can I do when the heaviness of reality settles in on my shoulders for a long-winter's nap, especially now that it's coming into summer? What can I do with the part of myself that has called itself "reality" for close to half my life, that voice filling my heart cavity just now with words that sound like, "you don't deserve any of this. who are you to claim an unquestioned happiness? who are you to decide when to let go, who are you to trust your instincts, your body, your heart?" This part has swelled me up, and I feel ballooned all through my chest, and breathless, as though there's someone sitting on me.

That weight -- it's terror, ok, sure. But terrified of what? Failure is too easy, I think. I think the terror is way more clearly aimed at success. Afraid of getting exactly where I'm dreaming I could get.

This is the image, I think -- when we remove a bandage that has covered a serious wound, some deep puncture or a broken bone, and we expose that skin, that part of our body, that new scar to the sun, to the dirty air, to the world. That new scar is tender, isn't it? It's our body's newest growth. How do I trust that the world won't slice into me again?

I don't, do I. Isn't that the learning? The hurt will come again. The point is to bare my scars to the mouth of the wor(l)d anyway.

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My dear friend says, "will you get out of your own way?"

How do we recognize that that's what we're doing?

We don't, I think is the point. We need others to show us, tell us. We need friends, folks who love us enough to be honest, to turn us toward the mirrors we've been avoiding and say, look. look at that beauty. those wings are ready for lift-off my friend. come on over here with me to the edge.

We -- I need people who love me enough to encourage me to jump, to risk, to fly. I need people who will be there to fall into, who hold all the tears and flailing, who hold my hands even when it means I am digging my nails in to the tender skin of their palms; I need people who will know when to grit their teeth against the pain, and when to pull my fingers away and let me go.

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Just for today, I am ready to stop writing in such close proximity to my own organs. I'm going to go come now -- I don't see dancing in this evening's plans, although, if I had just a bit more energy, dancing would be the day's orgasm, without question.

2.20.12
( prompt: air time )
This is what wants airing, this naked raw emotion under the armor, the stuff beneath where I am so protected with you these days, I want to let it all out in a mess, the heap of me, untended, not folded or neatly presses; let me be uncontained, let the rush push through and notice, after, what clings, what has stuck and stained, and where. I 'll already be gone and after this onslaught you won 't be clean but you will be washed through with all my old wanting, too-horned angers and the fears with teeth that chewed at my belly for years. How long before we let go the nice and plesant raging, before we unswallow before we untether uncatch unhold unbend unleash?

Let's be easy with all these good bodies, and the joy fear terror loss wanting hollow singularity indignation ease hope exhaustion exhilaration that all twines around within us, into our spaces of peace and into our spaces of shame. Here's to breathing anyway. Here's to what home actually looks like: practice.

See you tomorrow. Come just exactly as you wish.

Monday, May 7, 2012

Coming Home: Day 7 - what if I stopped apologizing to/for myself?


stencil graffiti of a robot-person and the words, in a word bubble, YOU ARE BEAUTIFUL
2.26.12 (dd)
What are the words that are falling away: the slick shame of apology, I mean apologizing for what lives inside my heart. Shame. Shame. This is the thing I want to give up for Lent, the hollow hoarding of misery just to wear it like a fur coat on my tongue, just so that I cannot fully enunciate, just so I can’t quite speak. Give me this, mother. Hold out your two choir hands and let me drop there this years-long bath of shame, this unguent tenacity, this bilge of broken bones, this dishonest levelour, this underskin. I have been wearing shame like it was my own name for so many years that I am not quite sure who to be without it, am altogether too naked, feel uncloaked even if what I really mean is washed clean. Clean has not been my name; I’m the girl who climbed into dirty and made a home, swept out one corner and brought in my books and a blanket. This is what I want to tell you – shame has been the armor, sure, wet and creaky though it was, wholly eroticized, consecrated, entangled with my every vein. I thought it was my own heartbeat – but I was wrong, wasn’t I? What does it mean, now, to be without that slick skin?

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It's mid morning and today's orgasm came pretty quick and hard; last night was a sleepy buzzing, I think I may very well have dozed through my actual coming I was so goddamn tired. But there I was in my nest, all sparkly in the aftermath of the Femmes Go Dirty South event, ricocheted through with all of those women, their voices, the articulated and claimed desire, the saying precisely what we want from our bodies, from our lovers, from our communities -- asking questions, naming truths, fucking shit up. Virgie read a piece with so much clarity about how she comes (from an instruction manual for new lovers, phenomenal) that I almost wanted to cry: yes yes yes. Look at her not apologizing at all: doing the opposite, in fact.

Where has it come from, this sense that I have to apologize for how I come, how I like to come, that my orgasms are less than because they happen mostly under my own fingers or vibrator (or--yes, can I say it over and over again -- in the shower)? Does it matter at this point that I've spent years basically apologizing for being a survivor -- look, I'm sorry that I'm broken in this way. I still really like sex, though, and if you can just help me come now and then, if you can just put up with how I come until I'm fixed / whole / healed  and able to come different / hotter / better / more normally, then we'll be all right.

But I do come normally. I want to come in other ways, too, sure -- but these ways that I get to orgasm are normal. What would happen if I stopped obsessing about coming different and just let that be?

I'm speaking to the part in me that still feels broken, feels the direct link between the way that I can come the most easiluy/consistently when I'm with a lover and the fact that I first learned how to come in this particular way when my stepfather was raping me. How do you hold that link? How do you let it go? How do you fully claim a part of your sexuality that came to you through rape?

What if I stopped apologizing inside me, stopped saying: sorry, body, that we came at all during those years that we learned this skill, that we took this pleasure from him even as he tried to kill everything else in us -- what if I stopped demanding that the teenage girl inside me apologize for what she did to stay alive? 

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I want something hotter, sexier, cuter today -- but this shit isn't cute today. I was worked up this morning, got in the shower and was barely wetted down before I was on my back in the tub. Ready. Please. I dropped hard into a fantasy about actually getting to make use of one of those bathrooms at the Center for Sex and Culture last night -- maybe we were on break, maybe people were starting to settle back into their seats and it was starting to get quiet and you wanted me to be loud when I came, you wanted me to let them all know where I was and what I was doing.

And so I did.

I thought about how much I like to be in that place just before coming, when everything in me is swollen and sensitive and close, when I am so close. I can live in "so close" for hours, ride it, make myself crazy. Then there was that acknowledging whisper in me: yes, we're going over the edge -- and I grinned, remembered to say thank you to my goddamn body, kept the water spray exactly where it was, imagined everyone in that place last night being able to hear me as I yelped and shouted and begged and Yes!ed.

Oh, that was hot, my friends. I'm still a little wobbly.

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This is all there is today: too much to do, more I want to say. Last night I got to meet Shiloh McCabe (of The Sex Positive Photo Project) who, last year, spent the month of may documenting the images and stories of folks who masturbate -- it's devastatingly hot! I can't wait to read all the stories.

I'm grateful to all of the women I got to read with last night, everyone in the audience, all the folks who name the truth about their desire and share that with others -- with lovers, with friends, with strangers. I can't tell you how much gets freed in me every time I hear another story that normalizes the way I come and all the different ways that we come. I need those stories. I need to share mine with you.


Be easy with you and your body. Thanks for reading -- come again tomorrow!

Coming Home: Day 6 - belated (dirty femme style)

Tonight was a most tremendous event, the Femmes Go Dirty South reading at the Center for Sex and Culture. The lineup consisted of some of my favorite favorite performers here in the Bay Area: Renee Garcia, Allison Stelly, Daphne Gottlieb, Blyth Barnow, Nomy Lamm, Virgie Tovar, Carol Queen, Tori Adams -- and then, of course, there was the most phenomenal Alysia Angel, all the way up here from North Carolina. I had the privilege of MC-ing, the pleasure of being with each of these performer's indelible words, the

I am exhausted. I could not be more grateful.

Here's why I'm telling you about this reading: because I haven't come yet today, and it's just almost midnight. Today started at 6am (much earlier than that), and hasn't stopped.

I will do it before sleeping, though. I promised the crowd (the very hot, loud, ferocious crowd) at the reading, and I've promised you all, and I promised myself. Then I'll get up tomorrow morning, and do it again.

Tonight's will be fast, I think, after so much powerful, glittery energy; after so many good shoes (goddamn, get together a performance by a group of femmes and TRUST that the crowd is going to show up turned out in their FINEST); after all that hooting and hollering and mm-hmm-ing; after words that bring tears, that bring rage, that bring heat and slick, that bring laughter, that bring wanting and loss, that bring passion and celebration.

More tomorrow. Just now, radical self care looks like leaving all the clean up for the morning, and taking these written-upon, glitter-stained hands to bed.

Be easy with you and your body. Thanks for reading -- come again tomorrow!